A Tale of Two Depressions

I am sure you haven't been able to sleep at night for the past few days. I have received many an email, reeking of tears and other bodily fluids, imploring me to post something, anything. I received missed calls at ungodly hours waking me up from surreal dreams. Well, I exaggerated just a little bit there, just like any sincere blogger would, but you get the drift. Comcast (ISP and Cable provider) would like to extend their apologies to you. I came home one day from work to find the W sprawled on the floor looking at the modem like it was a Rubik's cube that was winking at him with its six little lights (LED's for geeks) in random order and the 42 displaying a depressing "There is no service" or something morose like that, which was more suited on a tombstone.

The W went into depression, thus exhibiting the 21st century man's extreme reliance on the World Wide Web, much like an addict's manic craving for a hit during withdrawal. The Internet has trapped the average non-suspecting citizen of society (bespectacled and otherwise) into its Web (Ever wonder why its called Web?). While I was feeling bad about not being able to blog and thus spread yuletide and joy among my readers, as I have come to do in the past month or so, the sadistic mind wanted to see the W writhe in mental agony as he fidgeted from the couch to balcony, and then back to the couch with periodic mutterings of 'Life is so depressing'.

This reminded me of those days back in Calcutta, almost two decades back when we were hit by regular bouts of what was commonly known as "load shedding", when I got breaks from mugging up Bangla chhora (children's poems) about bullock carts in lands that existed only in my reluctant imagination to carefully make my way up to our terrace with the help of a candle to cuddle up next to Amma (my paternal grandmother) and watch the often star studded sky. She loves the sky and actually wanted to christen me Akash (and still refers to me that way in moments of extreme affection) but my parents thought the name was too common and shot the idea down, but that's a whole different family controversy.

An improvement in the economic situation meant that inverters gave us the feeling of pseudo "load sheddings" since only certain lights were allowed to be on but no fans, before we officially broke into the upper middle class with a generator which took away the whole experience altogether. Along with the summer sweat of "load sheddings", also disappeared the romantic charm of the darkness and the clear sky. Net failures are the "load sheddings" of our generation, albeit with a less cooler name. Who knows, maybe I will recite the story of the W and the lost Net to my grandchildren some day when the Internet will be replaced by something stronger, faster and more secure, unless we manage to destroy the world before that.

Came across Anurag Kashyap's blog today (Jai Google!). I have become a fan of the man after watching No Smoking recently. Reading some of the blog postings did nothing to lessen the sentiment. The postings are as honest as his films and his writing, often written after a few pegs have been downed, thus often without apparent regard for grammar. He can come across as bitter and arrogant, but I think he is just angry and frustrated more than anything else, and the reasons he spells out affected me a bit the same way, surprising me.

He talks about the sorry state of independent films in India and being a cinema enthusiast, I could only reflect how empty life would be without delightful little indigenous films like Bheja Fry, Johnny Gaddar and of course No Smoking being made; about how this discourages paranoid people like me who go to bed with film making dreams in their eyes every night to abandon their current semi-luxuriant lives to give shape to their abstract ambitions; about going through life without ever coining the words job and satisfaction in the same breath. I was so absent-minded, I even honked at a pickup that did not turn when the light to go straight turned green.

To make matters worse, right now Born Into Brothels is showing me the half-baked dreams of the unwanted children of the sex workers of Calcutta on the 42. Its showing me hope in their eyes that has a very slim chance of being converted into reality, even with the filmmaker's magnanimous attempts on a relatively small sample space of such individuals. What are striking are the matter-of-factness of some of the children when talking about their dead or socially reclusive parents and some of their artistic talents. The W laughs at my theory that some of the kids are so talented because their fathers are gifted individuals of the high strata of society we reside in. Damn! why did Comcast have to correct their mistake?

PS: Thanks to everyone who had a hand (or should I say n fingers, n being the number of fingers you use to type, assuming no one has this saved in their favorites) to play in making the Number of Visits counter in my blog hitting four figures.

No Smoking

Just got back from the theater after watching it. It is a fantastic film. Indian cinema has finally grown up. I am so glad films like these are being made in India. Definitely not everyone's cup of tea though, which explains the horrible reviews. Recently read somewhere Karan Johar feels that Anuraag Kashyap needs psychiatric help. As they say, there is a fine line between genius and madness, and not knowing Kashyap personally, I do not know if he is on both sides of the line or not. This surrealistic Alician journey through the Wonderland of one's psyche is punctuated with indigenous humor and bouts of lousy acting by John Abraham, but Ayesha Takia in her bit role is good and Paresh Rawal is just about right. The editing is abrupt, but that may very well have been intentional to capture the true state of the protagonist's mind. The many significant yet little things are subtly showcased to make this a true film connoisseur's delight.

I remember reading an interview of a very frustrated Kashyap some time back. He was saying things like Yash Raj Films are a bully and talking of the double standards in Indian cinema, after Black Friday was given an R rating, releasing after months of squabbling with the Censor Board and Dhoom II with all its semi-nudity spared the label. He concluded the interview saying that he might give up making movies if this continues. I just hope he doesn't give up so easily and deny the 3% or so of the Indian audience that are fans of his work such creative ecstasy.

PS: To add to the whole surrealistic feel, a mini-earthquake shook all the seats in the theater I was watching it in at a critical juncture in the movie and the other eight people in the theater were momentarily shaken, literally.

PPS: The promos of Ashutosh Gowariker's Jodha-Akbar look promising enough to be Indian Cinema's first modern war movie with believable yet exhilarating action sequences. Ash, with a mellow look, portraying the Rajput princess looked less glamorous (effectively) than the hip handlebar mustached Hrithik playing the Shehnshah.